Overview: ‘baar baar dekho’ – a excellent looking film with a coronary heart!
Director: nitya mehra
Rating: three and 1/2
What if we get the danger to rectify all the huge errors of our existence? And what if a mystical wand takes us into the future to for my part witness all those essential twists and activates the street journey of existence wherein we might also swerve into the wrong lane? And then, what if we get a hazard to revise our actions and deeds consequently?
Debutant director nitya mehra’s “baar baar dekho” is in contrast to any romantic yarn — i hesitate from giving it that loosely-used time period the ‘rom-com’. It’s miles the remaining what-if saga, narrated with a smooth care and subdued splendour that makes every moment among the lead pair valuable and gladdening.
Looking the film, we’re just satisfied to see jai and diya together. It could be because they are performed by using of the high-quality-searching stars in our cinema. Sidharth malhotra and katrina kaif appearance so made-for-every-different that it appears absurd to even propose that they may be separated by means of destiny or design — or in this example with the aid of designed future.
But human nature is such — and this is the ‘sach’ (fact) that this unusually conceptualized film dwells on with mollifying class — that it sinks the very deliver that maintains wish afloat. With plausible nearsightedness — don’t we all reduce to rubble in existence? — jai tells diya at the day in their wedding ceremony that he could alternatively now not marry her and alternatively pursue his goals of going to cambridge.
The harm, humiliation, bewilderment and unhappiness that katrina suggests on display screen in her sequence of painful rejection speeding hopes of shared lifetime, is a joy to behold. That is the primary event in her profession when katrina has actually sunk her ego into her individual. You may see her feeling the hurt and the happiness with equal sincerity. Bravo!
Sidharth malhotra, to this point visible giving performances in which his matinee-idol appears obfuscate his other purported virtues, comes into his own with a character who’s clueless approximately the beautiful time journey that fate/destiny/karma/kundli puts him via.
It is a morality delusion strengthened by way of bouts of effervescence, nostalgia regret and pain. It takes us some time to fall into a rhythm and sample, as sidharth malhotra’s man or woman of the mathematics instructors hurls from one age-span into every other in pursuit of the unforgivable lapses that would damage all of us’s lifestyles.
Simply believe: you fail to show up to your wife’s painting exhibition and she or he falls in love with her arts dealer. Or you could not cuddle your little daughter when she asks you to do so, and this can cause indelible damage to your domesticity.
Notably, “baar baar dekho” trusts silences to the talking. There are lengthy passages with out background music to over-punctuate the drama of disintegration that the couple plays out. The emotions the couple exchange seem applicable and real, because the dialogues (via anvita dutt) rip off pages from present day marriages all around the world with out developing a cut-and-paste haste in the conversations.
There’s lots of the rare best of gravitas tucked away within the mischievous love tale, none greater mischievous than the pundit (played with able astuteness with the aid of rajit kapur) who is meant to solemnise jai and diya’s wedding ceremony. Jai thinks the pundit is answerable for his rushed futuristic time journey. But is he? Is that this potential to stare your mistakes of their eyes a quirk of fate? Or is it some thing else?
“baar baar dekho” doesn’t searching for or deliver us substantiated solutions on cosmic mysteries. Why man does what he does, who is chargeable for our moves — now and again horribly wrong — we don’t know. Neither does the movie. Director nitya mehra glides with a silent snort and a sigh across a fantastically painted skyline of wistful questioning.
There is lots to celebrate in “baar baar dekho”, no longer the least of its virtues being the capability to supply marital home truths without sermons or soliloquies. As the movie’s predominant premise shows, the success of a relationship is within the smaller information. Likewise, this film. It strings collectively scenes from a situation of marital calamity with an easygoing swagger that ingmar bergman would have located distracting.
The actors have given their coronary heart and soul to the principle components. And a number of the supporting cast — now not all, i am afraid — is also extraordinary.
But the real hero of the film is ravi ok chandran’s camerawork. The magician that he’s, chandran imbues every body with warmth charm and splendor. Sequences recreating cambridge university (in which a ramanujan-like professor mentors jai) jogged my memory of that very best ramanujan biopic “the person who knew infinity”.
The futuristic styling is apt with out getting outlandish. Come to think about it — there is nothing over-the-top on this quietly achieved movie except the “kala chashma” track and dance. Why in the world became it used to promote the movie? That zingy tacky air of secrecy of that song is so not the movie.
“baar baar dekho” is ready getting a danger of converting the errors in lifestyles without making them. However sincerely, i can not consider one component i’d like to see changed in this movie. Besides perhaps sarika’s prosthetics while she performs lifeless. Someone overdid the mom’s wrinkles.
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